Matthew Van Dyke's Not
Anymore is interviews Mowya, a Free Syrian Army commander, and Nour Kelze,
a journalist embedded with Mowya's battalion (and who's sympathies clearly lie
with Free Syrian Army.) It's safe to say that Not Anymore accurately reflects Mowya and Kelze's experiences in
the Syrian Civil War. It would be disingenuous to claim that it paints an accurate
picture of said war.
Trigger warning: Not Anymore contains footage of a slain
soldiers getting shot and killed, and a bomb or mortar blast in a crowded
square.
Van Dyke and co-producer Kelze have created a propaganda
piece to appeal to American's sentiment that democracy as a universal good. It
feels disingenuous for Van Dyke and Kelze to call themselves journalists in
context of this film. In other productions, perhaps they are able to interview
more than one commander of one battalion of one side of the chaotic Syrian
Civil War and a reporter embedded with said battalion. Not Anymore, while well meaning, feels coercive in its
one-sidedness.
However much the American audience may agree with the
sentiments expressed in Not Anymore,
it is misguided to think that this film educates one about the multifaceted
civil war that is spilling across Syria 's borders. Even as propaganda
it's incomplete: it doesn't tell its intended audience what it would like them
to do. Should we write to our congress people demanding immediate military
intervention in Syria [1]?
Should we donate to this, that or the other charity? In the context of Not Anymore, Van Dyke and Kelze oughtn't
be considered journalists. "Activist filmmakers" is a more apt
moniker, although even as such their work is incomplete.
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