Jenny Schweitzer's Flor
de Toloache does just that for an all-female mariachi band, casting light
upon their response to the machismo that characterizes the genre.
Flor de Toloache
is part of Schweitzer's Rhythm in Motion,
a ten part series of short documentaries about the musicians who busk in New York City 's subway
system. Traditionally, mariachi bands are dominated by men. Flor de Toloache,
the band featured in the eponymous film, runs against that macho grain by
featuring an all-women line-up.
Flor de Toloache
exists within the broader context of international patriarchy and the ways in
which such social structures limit women's opportunities. By simply allowing
the interviewees to describe the problem and their solution for it, Schweitzer
creates a compelling and positive movie.
Rather than focus on herself as a filmmaker, or even upon
the individuals interviewed, Schweitzer's Flor
de Toloache allows the expert interviewees to interpret a cultural event
for us. The event is not isolated: it exists within a social structure that we
all participate in. Flor de Toloache
is an educational documentary that is well-made because it is made simply.
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